|
|
||||
|
Coming this spring, Philomusica
presents:
This concert will feature soloist performances by:
Miss Buchholz also performs regularly as a concert soloist, and has just recently appeared with the American Symphony Orchestra in the oratorio “Das Paradies und die Peri” at Lincoln Center. She has also made recent appearances with the Berkshire Bach society, where she has performed as a mezzo soloist in Bach’s Magnificat, Bach’s Cantata BWV 72 “Ich habe genug, Haydn’s Chandos Anthem no. 6 and Carrissimi’s “Jephte”. Other recent solo performances include Bach’s Mass in b minor with the St. Bartholomew’s choir in New York City, and Pergolesi’s “Stabat Mater” with New York’s Collegiate Chorale. In 2004 she made her Lincoln Center debut with the American Symphony Orchestra in a one-act opera by Hindemith entitled Das Nusch-Nuschi. The previous year she was a soloist with the Cincinnati May Festival in a world premiere performance of Liszt’s oratorio St. Stanislaus, conducted by James Conlon and released by Telarc. In 2002 Miss Buchholz performed the role of the Third Elf in Strauss’s Äegyptische Helena with the American Symphony Orchestra, which has been released as a Telarc recording as well. A well-experienced oratorio soloist, she has sung performances of Mozart’s Mass in c minor, Haydn’s Lord Nelson Mass, Durufle’s Requiem, Handel’s Messiah, Bach’s Mass in b minor, and Mozart’s Requiem. In 2001 she was a featured soloist on a Great Performances Recital Series concert with Jane Eaglen and members of the London Symphony Orchestra at St. Bartholomew’s. A graduate of the Yale University Opera Program (Artist Diploma) and Indiana University (Masters in Voice), Miss Buchholz has participated in master classes with such renowned artists as Elly Ameling and Sherrill Milnes. She has spent summers performing with the Santa Fe Opera, Opera Theatre of St. Louis, and Natchez Opera, where she was awarded the Outstanding Performer Award for the season.
Advance Ticket Sales Past Performances:
Copyright 2006 Philomusica.org. All
Rights Reserved
|
||||
TERESA
BUCHHOLZ
BRIAN
DOUGHERTY, tenor: 
RODRIGO
GOMEZ, BARITONE: Rodrigo Gomez, a native of
the Philippines, has performed over 30 operatic roles with various
companies, including Manila Opera, Glimmerglass Opera, Sacramento Opera,
Utah Festival Opera, and West Bay Opera. He performed the world premiere of
Ionel Petroiâ’s Les Melodies de Sancho Pança and title roles in
Mendelssohn’s Elijah and Britten’s Billy Budd. Recent New York
area performances include Maugiron in Chabrier’s Le Roi Magre Lui,
der Hanker in Hindemith’s Das Nusch-Nuschi and Luigi Nono’s
Epitaffi (all with the American Symphony at Avery Fisher Hall), Fauré’s
Requiem with the Little Orchestra Society, Orff’s Carmina Burana
with both the Bard Chorus /Chamber Singers and the New York Choral Society,
Bach’s Saint John Passion with the Gotham Baroque Orchestra and
Magnificat with New Jersey’s Philomusica, his premiere performances of
the Requiems of both Brahms and Duruflé with the One World Symphony.
NADINE ROBINSON,
SOPRANO:
Nadine Robinson is equally at home on the opera and concert stage.
Classical New Jersey wrote Ms. Robinson “has the indefinable ability to
stand out in a crowd” and describes her singing as “meltingly beautiful.”
She was introduced to opera with a small part in Suor Angelica at the
Spoleto Festival dei due Mondi in Spoleto, Italy. Since then she has
performed with the Little Opera Company of New Jersey as Zerlina in Don
Giovanni and Giannetta in L’Elisir d’amore. Other roles include
Susanna in Le Nozze di Figaro, Despina in Così fan tutte, and
Micaela in Carmen. Among her concert credits are Haydn’s St.
Cecilia Mass, Fauré’s Requiem, Bach’s Cantata BWV 93, 106
and 199, and Handel’s La Lucrezia. Recently, she was a
finalist in New Jersey Association of Verismo Opera’s annual vocal
competition. Ms. Robinson received her Bachelor of Music in Music Education
from Westminster Choir College and her Master of Music in Voice Performance
from Rutgers University.